The Hunger Games A Perfect Government - 3112 Words

The role of government The government’s role for the people is to challenge them like how contestants from â€Å"The Amazing Race† or â€Å"Fear Factor† are challenged. Government should be like a reality competition show filled with adventure and danger (Amazing Race, 2003) (Fear Factor, 2005). Just like the government in â€Å"The Hunger Games† (Collins, 2008). People should compete for rights and liberties. The competitions can be held under the government’s supervision. These competitions can involve multiple life daring tasks and only the ones that survive win. The losers or the ones not so fortunate die in the process, a true fight to the death. Government works from a federal standpoint and does not get involved in local affairs. Local affairs†¦show more content†¦Another way to represent in government is if one is chosen as a cabinet member of the president.. They will have to represents the presidents coalitions and policies to all Local Nations under th e government. Government will be base on the overall ideals of keeping the people from rebelling by supplying them with basics of safety, living, education and healthcare. The people under this form of government will only be able to survive on the aid provided by the government. The games will determine the representation and the rule of the government. The overall well being of the people will decent but they will have to endure a test every year in order to get their part in government. â€Å"May the Odds be Ever in Your Favor† (Collins, 2008). Every person has to defend themselves and create a strong alliance. They need to work strategically and be intuitive of their surroundings. Currency financial issues Everyone in the country will be residing in what is called â€Å"Local Nations†. These Local Nations are set by the citizen’s income levels. So, citizens with lower income levels will be in different Local Nations than citizens who have higher income levels. Currency itself is natural resources. These Natural resources can be food, water, electricity, or anything else that aids survival. In order to get this type of resources or income, people have to fight and compete for them. This can be done in several ways. Cabinet members can get theShow MoreRelatedGeorge Orwell s The Hunger Games979 Words   |  4 PagesBrother† style overbearing government plowed the way for novels such as the Giver, Fahrenheit 451, The Maze Runner, Divergent, and the Hunger Games. George Orwell wrote 1984 as a warning/prediction of what was to become of the world if it kept on its route. In many ways, some of Orwell’s predictions came true. The main idea s of Orwell’s 1984 inspired Suzanne Collins in her writing of the Hunger Games, drawing many similarities. The idea of one all-controlling government, ill-treatment of the lowerRead MoreSocial Control and The Hunger Games Essay1110 Words   |  5 PagesThe Hunger Games, a film based off of a novel written by Susan Collins, was released in March of 2012. The film, and the book it was based on, chronicles the struggles of a girl named Katniss Everdeen, a girl who lives in a poverty stricken province or â€Å"District†, until untimely circumstances forces her to play in the Hunger Games, a gladiatorial like contest where children between the ages of 12 and 18 are forced to fight to the death. A contest that was set up by an oppressive and authoritarianRead MoreRacism, By James Lowen906 Words   |  4 PagesAll-American girl books teach little girls one thing; they want to grow up to be Samantha the doll. Growing up, society teaches you everything but the most important thing; social classes, and the true facts about them. All we know growing up is Samantha’s â€Å"perfect† and living the American dream. Through the eyes of society, if we are raised poor we aren’t going to go anywhere; and we learn to hate the top one percent of the population with all of the populations’ money. The girls grew up dreaming of being SamanthaRead MoreThe Hunger Games By Suzanne Collins1632 Words   |  7 PagesIdeology How and why does Panem’s government oppress its citizens while keeping complete control? The â€Å"Hunger Games† by Suzanne Collins is a dystopian novel with an extremely corrupt government that controls the citizens with the District system. The corrupt government in â€Å"The Hunger Games† finds various ways to suppress Panem’s occupants, including but not limited to artificial scarcity, a caste system, Avoxes, Tesseraes, lack of religion, and the Hunger games themselves. Artificial scarcity forcesRead MoreThe Hunger Games By Suzanne Collins1081 Words   |  5 Pagestheir own perfect worlds. The Hunger Games, by Suzanne Collins, is a prime byproduct of More’s utopia. However, the key difference between both novels is the intended creation of a utopia or dystopia. Collins understood that her text portrayed a true dystopia whereas More believed his world to be a utopia. Throughout each text, there are numerous comparisons between both societies whi ch makes the reader ponder how similar and different the two worlds are. In the novel, The Hunger Games, the settingRead MoreThe Hunger Games : A Hero s Journey847 Words   |  4 Pagesfrom some evil source. The Hunger Games has the same plot as other hero films, but takes a complete turn on the actor encompassing the hero. The hero in this film is a Katniss Everdeen, a poor girl from a dystopian society. In this film Katniss volunteers for her sister to be in the Hunger Games, which is an event where individuals are thrown into an arena where people from twelve districts fight each other to the death for entertainment. Katniss must win the hunger games and make it back to her familyRead MoreJust How Bad Can Living Under a Totalitarian Government Be? (Hunger Games Comparison)1528 Words   |  7 PagesJust How Bad Can Living under a Totalitarian Government Be? Does the government control everything? Maybe not as much in Canada, however in other societies like Nazi Germany and even in Panem from the book â€Å"The Hunger Games† written by â€Å"Suzanne Collins†, they definitely do. This could also be known as a totalitarian government. These places take to extreme the punishment, violence and unfairness. Although, the government in the Hunger Games is set in a futuristic theme it is still alike toRead MoreHe Heroic Journey : Katniss Everdeen848 Words   |  4 Pagessame plot. A man gets a call, goes on a journey, gets in a battle or two, and saves a helpless woman from some evil source. The Hunger Games has the exact plot but takes a complete turn regarding the hero in the film. The hero in this film is a Katniss Everdeen, a poor girl from a dystopian society. In this film Katniss volunteers for her sister to be in the Hunger Games, which is an event where individuals are thrown into an arena where people from twelve di stricts fight each other to the death forRead MoreUtopia:The Flawed Pursuit for Perfection1000 Words   |  4 PagesPerfect societies have long been discussed and debated, prominent in the works of many great philosophers such as Plato and Thomas More. It wasn’t until the 16th century however, that a formal name was to be attributed to this unattainable perfection - a utopia. As a result, utopias and their opposite, dystopias have become prominent in modern works and form the basis for this analysis in William Golding’s The Lord of the Flies and Suzanne Collins’s The Hunger Games. Through their most recognisedRead MoreThe Hunger Games By Suzanne Collins878 Words   |  4 PagesThe motion picture The Hunger Games, which premiered in 2012 was a book first published in 2009, written by Suzanne Collins. Usually film adaptations of a book usually are worse then the book itself. The Hunger Games was no exception. If someone did not read the book, they should expect to be very confused during the movie. The movie left a lot of important parts out and did not explain why things were the way they were. Putting the gaps in the storyline aside, the acting portrayed from Jennifer

Rediscovering the mechanics of life Essay Example For Students

Rediscovering the mechanics of life Essay When V.H. Meyerhold was killed and designated a non-person by the Soviets sometime around 1939, it may have seemed to the directors adherents that his revolutionary system of kinetic movement for the stagebiomechanicshad died with him. But last year, another sign of the vast political change in Russia became apparent: Authentic training in biomechanics was taught for the first time in the U.S. by Gennadi Bogdanov, a direct inheritor of the Meyerhold technique through his teacher, Nikolai Kustov. Kustov, an original member of Meyerholds troupe and, ironically enough, the first U.S. link to biomechanics, was the actor featured in a famous series of photos which Lee Strasberg brought back from Russia in the 30s as an illustration of Meyerholds techniques. The creation of gesture   Bogdanov, who teaches biomechanics at the Russian Academy of Theatre Arts, spent five weeks last summer training members of New Yorks Phoenix Ensemble in the rudiments of the technique, after making his first stop at Tufts University for an intensive workshop with theatre teachers, actors and directors. The Phoenix Ensemble began an exchange program with the Russian Academy (formerly known as GITIS) in 1991, sending an evening of Joe Pintauro one-acts to Moscow and hosting a Russian productiona project which earned the company the United Nations Society of Writers Award for Excellence. Through translator Kathryn Mederos, Bogdanova quietly charismatic, passionate advocate for Meyerholds systemsays the most important element in biomechanics is the creation of precise, meaningful gesture. The ability to enter into the grotesque and to feel yourself in eccentric situations on the stageMeyerholds actors were able to do that very well. Bogdanov uses a series of biomechanical etudes (a series of physical actions such as the Stab in which one actor stabs a partner in the chest), which are broken down into componentsthe Otkaz, or preparation for the action; the Paceel, or fulfillment of the action; the Tormos, or brake; and the Tochka, or completion of the action. The point of these tasks is, Bogdanov says, to bring the actors apparatus to a neutral position. Under no circumstances should you understand that to mean that were erasing the actors individual creativity. Its a position from which we can go in any direction and create any quality of characterization. But naturally before that, he continues, we need to rid ourselves of any problems blocking our physical state. We have to bring ourselves into a state of certainty, so that we know not how the movement is born, but how to give birth to the movement. But the etudes are more than just a physical exercise, the movement specialist says. When it all comes together, when you precisely fulfill the drawing called for by the etude, then at that point you feel the joy and the freedom of movement within the form. Your head is freed up from the physical problems and the imagination can work. All of your emotion is directed only towards the birth of the dramaturgy. The Phoenix Ensemble applied this intensive study to a fall production of The Bathtub, Paul Schmidts politically updated adaptation of Mayakovskys Banya, directed by Ivan Popovsky, a Russian Academy student of Bogdanov imported for the occasion from Moscow. Although he says the comedic production at Manhattans Theater for the New City could not actually be called biomechanical, Popovsky did make use of extensive stylized movement. What I have learned is: dont use extra movements in the theatre, Popovsky says. Just use those movements which you need to have clean and clear pictures, so that the play can open up from the inside, from the meaning of the words. .u5be6b6c763bd59016fc1dc3bee2996f1 , .u5be6b6c763bd59016fc1dc3bee2996f1 .postImageUrl , .u5be6b6c763bd59016fc1dc3bee2996f1 .centered-text-area { min-height: 80px; position: relative; } .u5be6b6c763bd59016fc1dc3bee2996f1 , .u5be6b6c763bd59016fc1dc3bee2996f1:hover , .u5be6b6c763bd59016fc1dc3bee2996f1:visited , .u5be6b6c763bd59016fc1dc3bee2996f1:active { border:0!important; } .u5be6b6c763bd59016fc1dc3bee2996f1 .clearfix:after { content: ""; display: table; clear: both; } .u5be6b6c763bd59016fc1dc3bee2996f1 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5be6b6c763bd59016fc1dc3bee2996f1:active , .u5be6b6c763bd59016fc1dc3bee2996f1:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5be6b6c763bd59016fc1dc3bee2996f1 .centered-text-area { width: 100%; position: relative ; } .u5be6b6c763bd59016fc1dc3bee2996f1 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5be6b6c763bd59016fc1dc3bee2996f1 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5be6b6c763bd59016fc1dc3bee2996f1 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5be6b6c763bd59016fc1dc3bee2996f1:hover .ctaButton { background-color: #34495E!important; } .u5be6b6c763bd59016fc1dc3bee2996f1 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5be6b6c763bd59016fc1dc3bee2996f1 .u5be6b6c763bd59016fc1dc3bee2996f1-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5be6b6c763bd59016fc1dc3bee2996f1:after { content: ""; display: block; clear: both; } READ: The key scenes Essay Finding your limitations   For members of the Phoenix Ensemblewhich includes about 20 actors, directors and designers of various ages and ethnicitiesthe work in biomechanics proved a welcome addition to their training. Like a lot of American actors, we tended to approach everything psychologically and emotionally more than physically, says company member Fred Velde, who played Senator Hamfat Hum in The Bathtub, and this was a totally different approach. For me it was great because I saw my limitations, and Gennadi stressed the idea that you should find those limitations and stretch them. Cecilia Arana, who played Billy Biker, found that the work with Bogdanov carried over effectively into the rehearsal process. I felt very grounded and very, very free amidst all the control of biomechanics, because I was so aware of everything I was doing, she says. Artistic director and ensemble member Paul Knox watched the group grow throughout the process in its ability to trust each other and work together. Now we can take a lot more risks, both physically and with our technique, he says. Knox hopes to continue the Ensembles biomechanical training and the exchange with the Russian Academy. Bogdanov, meanwhile, is kept busy by a growing worldwide interest in the technique, which most recently took him to Amsterdam.